Bresson is very good in an iPhone. Espacio Vitrina, EART, Barcelona. 2025.

Bresson is very good in an iPhone.
Espacio Vitrina, EART, Barcelona. 2025.


1. Bresson is very good in an iPhone 1/3, Oil on panel, 20 x 15 cm.

2. Bresson is very good in an iPhone 2/3, Oil on panel, 20 x 15 cm.

3. Bresson is very good in an iPhone 3/3, Oil on panel, 20 x 15 cm.

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Fingers in the mouth of god. Hangar, Barcelona. 2019.

Lectura performática.

Fingers in the mouth of god.
Hangar, Barcelona. 2019


Fingers in the mouth of god when
disappearance,
rituals,
self-exoticism,
a dictator,
a medium who writes books,
a phantom community,
an imaginary finger gun,
rabbits,
and death spirals,
come all together.

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Gestos para una arqueología fantasma. «Phenomena of Absence», Fabra i Coats, Barcelona. 2018.

Installation views.

Gestures for a phantom archaeology.
«Phenomena of Absence», Fabra i Coats, Barcelona. 2018


The project revolves around two ideas: the transgenerational transmission of mental states and the concept of the ghost as a social figure; how certain ghosts haunt us and how they affect representations of the physical and mental landscape. GAF operates as a metaphor for the layers of memory in the socio-cultural context of Spain.


Works:

1. A country at the height of its landscape, 2018.
Plaster, painted aluminum, variable dimensions.


2. Landscape constructions, 2018.
Calligraphy sculpted in plaster, 13.5 x 18 cm.


3. To remember, sometimes, you need other archaeological tools, 2018.
Neon, 86 x 150 cm.

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To remember, sometimes, you need other archaeological tools, 2018.

Neon, 86 x 150 cm.

To remember, sometimes, you need other archaeological tools, 2018


Neon, 86 x 150 cm.

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A country at the height of its landscape, 2018.

Plaster, painted aluminum, variable dimensions.

A country at the height of its landscape, 2018


Plaster, painted aluminum, variable dimensions.

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Landscape constructions, 2018.

Calligraphy sculpted in plaster, 13.5 x 18 cm.

Gestures for a phantom archaeology, 2018


The project revolves around two ideas: the transgenerational transmission of mental states and the concept of the ghost as a social figure; how certain ghosts haunt us and how they affect representations of the physical and mental landscape. GAF operates as a metaphor for the layers of memory in the socio-cultural context of Spain.

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Seu del parc, 2016.

Performance.

Seu del parc, 2016


A live improvised concert featuring sounds inspired by the landscape and soundscape of the area La Morera de Montsant, in which I recited a text written for the occasion.

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1/3

«NON Furnished». Data Rhei, Paris.2016.


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«Somewhere between cat and ruin». Burgerweeshuis, Amsterdam. 2015.


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David Ortiz Juan, 2025 – All rights reserved ( ↑ )