Los hechos son hechos [The facts are fabricated]

13:54, MiniDV, 2014.

excerpt of 4:19. Full film upon request.

A traveller presents the landscape as an entity capable of revealing invisible systems of power alongside its connection to the human body’s capacity to embody their ancestors’ memories. With this departure, the film reflects upon the relation between memory and memorials, their silences and inabilities to overcome trauma; the alienation of the unifying grand narratives, and the overcoming of absurdity by its acceptance.

* Related essay: Hypnagogia and the colonisation of memory.

At Data Rhei, Paris 2016.